Tampilkan postingan dengan label elizabeth taylor. Tampilkan semua postingan
Tampilkan postingan dengan label elizabeth taylor. Tampilkan semua postingan

Selasa, 19 April 2011

a poem by jameson fitzpatrick

Ode to Paul Newman as Brick in Cat on a Hot Tin Roof


Blue eyes bore me, baby, but not yours,
blue as your bathrobe, bluer even, blue as
your convertible’s long blue body, wet with rain.
The only pair pretty enough to stare into Liz Taylor’s
and refuse her.

What is it about a man with a glass of whiskey in his hand?
What is it about a crutch, silk pajamas, a broken ankle?
I’m not even into feet, really, but the toes peeking
out from the white mass of cast, if they aren’t
the most beautiful toes

in the whole history of film—the big toe,
especially. All through the movie, Poor Liz struggles
to pronounce your name: Brig, Brig! she keeps insisting,
as if a soft terminal consonant is the only trick
to sounding Southern.

Me, I’m from New England; I like the ck
hard in my mouth. Why do you wear your wedding ring
on your pinky, Brick? Are your fingers too fat from the booze?
I’d jump out a hotel window over you. Wouldn’t it be funny
if that was true.


Jameson Fitzpatrick is an editorial assistant at Barrow Street and a poetry editor for LambdaLiterary.org. He lives in New York.

Jumat, 09 April 2010

the late show
















The Late Show
(circa 1970)


Natalie Wood, in the middle
of reciting a Wordsworth poem,
bursts into tears and runs out
of the classroom. Carroll Baker
gasps in an oxygen tent, her
platinum Harlow hair damp
and flat. Kim Stanley throws
a champagne glass at her mother’s
taxi, screaming “There is no god!
There is no god!” In a chiffon
cocktail dress and ankle-straps,
Joan Crawford staggers down
the beach, convinced her lover,
Jeff Chandler, is out to murder
her. Lana Turner learns that
she and her daughter, Sandra
Dee, are in love with the same
man. Jilted and demented, Suzy
Parker crouches in an alleyway
in a soiled trench coat, sifting
through Louis Jourdan’s trash.
To avoid forging the signature
of her twin sister, whom she’s killed,
Bette Davis grabs the red-hot end
of a fire iron with her writing hand.
Doris Day, in a black lace peignoir,
sobs into the telephone: “Who are
you? Why are you doing this to me?”
Julie Harris hears Hill House
beckoning, beckoning. Geraldine
Page begs Paul Newman for a fix.
Simone Signoret wipes her finger-
prints off the glass as James Caan
collapses, dead at her feet. Lee
Remick pours herself another
drink. Trembling, Ingrid Berg-
man watches the gaslights dim.
Shirley MacLaine breaks down,
admits her attraction to Audrey
Hepburn. Barbara Stanwyck tries
to keep Capucine. Elizabeth Taylor
scrawls, with lipstick, “No Sale”
across a mirror. Deborah Kerr
smolders. Shelley Winters shrieks.
Kim Novak screams and backs out
of the bell tower, into thin air.


-David Trinidad